Colorblind Tools: Global Technologies of Racial Power
Winner of the 2023 Association for Ethnic Studies Outstanding Book Award
“A meticulous traversal across the worlds of history, culture, law and politics, this treatise is at once a statement on the continued power and relevance of Critical Race Theory as well as an express example of why it continues to threaten those who would wish to blind the world from the continued rule of white supremacy.” —Ndumiso Dladla, author of Here is a Table: A Philosophical Essay on History and Race in South Africa
“Utilizing interdisciplinary reading practices and analytical methods mainly invented by subaltern subjects, Milazzo bridges the history of post-slavery and postcolonial ideas and their ongoing contemporary extensions, clarifi cations, and interventions into a narrative that gives us a powerful contemporary account of how white supremacy remains the central tool for organizing all of global life.” —Rinaldo Walcott, author of The Long Emancipation: Moving toward Black Freedom
“Destined to make a significant contribution to multiple fields of inquiry, Colorblind Tools is necessary, groundbreaking, and useful. Marzia Milazzo deploys historical breadth, philosophical depth, and analytic rigor to expose and articulate how colorblindness reproduces and dissimulates its own violence.” —Calvin Warren, author of Ontological Terror: Blackness, Nihilism, and Emancipation
Bringing together a capacious archive of texts on race produced in Brazil, Cuba, Mexico, Panama, the United States, and South Africa from multiple disciplines and genres, Marzia Milazzo in Colorblind Tools uncovers transnational continuities in structural racism and white supremacist discourse from the inception of colonial modernity to the present. In the process, she traces the global workings of what she calls colorblind tools: technologies and strategies that at once camoufl age and reproduce white domination. Whether examining Rijno van der Riet’s defense of slavery in the Cape Colony, discourses of racial mixture in Latin American eugenics and their reverberations in contemporary scholarship, the pitfalls of white “antiracism,” or Chicana indigenist aesthetics, Milazzo illustrates how white people collectively disavow racism to maintain power across national boundaries, and how anti-Black and colonial logics can be reproduced even in some decolonial literatures. Milazzo’s groundbreaking study proves that the disavowal of racism is not a new phenomenon, but a constitutive technology of racism. It is a tool the master cannot do without.
MARZIA MILAZZO is an associate professor of English at the University of Johannesburg
Product details
Chapters
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IntroductionThe Master’s Colorblind Tools
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Colorblindness and Nation Building
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Mestizaje and Racial Genocide
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The White Mobilization against Desegregation and Redistribution
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The Perils of White “Antiracism”
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Espousing Liberal Individualism in Cubena’s Work
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Encountering the Other in Chicana Literature
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An Undying Colonialism
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